Outstanding work to all of the sound teams. Best of luck at the show!
OUTSTANDING SOUND EDITING COMEDY OR DRAMA SERIES HALF HOUR AND ANIMATION
BARRY – “Ronny/Lily”
Matthew E. Taylor, Co-Supervising Sound Editor
Sean Heissinger, Co-Supervising Sound Editor
Rickley W. Dumm, MPSE, Sound Effects Editor
Mark Allen, Sound Effects Editor
John Creed, Dialogue Editor
Harrison Meyle, Dialogue Editor
Michael Brake, MPSE, Music Editor
Clayton Weber, Foley Editor
Alyson Dee Moore, Foley Artist
Chris Moriana, Foley Artist
OUTSTANDING SOUND EDITING FOR A LIMITED SERIES, MOVIE OR SPECIAL
CATCH-22 “Episode 1”
Jerry Ross, Sound Supervisor
Doug Mountain, Dialogue Editor
Byron Wilson, Dialogue Editor
Chris Assells, Sound Designer
Jeff Fuller, Sound Effects Editor
Michael Alexander, Music Editor
Clayton Weber, Foley Editor
Catherine Harper, Foley Artist
Katherine Rose, Foley Artist
OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
GOTHAM – “Legend of the Dark Knight: I Am Bane”
George Haddad, MPSE, Sound Supervisor
Chad J. Hughes, MPSE, Sound Editor
Julie Altus, Sound Editor
Ashley Revell, Music Editor
Joseph T. Sabella, Foley Artist
Rick Owens, Foley Artist
STAR TREK: DISCOVERY – “Such Sweet Sorrow, Part 2”
Matthew E. Taylor, Sound Supervisor
Tim Farrell, Sound Designer
Mike Schapiro, Sound Effects Editor
Clayton Weber, Sound Effects Editor
Dan Kenyon, Sound Effects Editor
Rickley W. Dumm, ADR Editor
Sean Heissinger, Dialogue Editor
Bob Jackson, Dialogue Editor
Matt Decker, Music Editor
Alyson Dee Moore, Foley Artist
Chris Moriana, Foley Artist
OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
THE KOMINSKY METHOD – “Chapter 1: An Actor Avoids”
Yuri Reese, Re-Recording Mixer
Bill Smith, Re-Recording Mixer
Michael Hoffman, CAS, Production Mixer
For a full list of nominees, visit: https://www.emmys.com
